Reduction in computer music : bodies, temporalities, and generative computation

  • In the age of pervasive computing the way our body interacts with reality needs to be reconceptualized. The reduction of embodiment is a problem for computer music since this music relies heavily on different layers of (digital) technology and mediation in order to be produced and performed. The article shows that such a mediation should not be conceived of as an obstacle but rather as a constitutive element of a permanent, complex negotiation between the artist, the machinery, and the audience, aimed at shaping a different temporality for musical language (as the Italian artist Caterina Barbieri develops).

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Metadaten
Author:Federica Buongiorno
URN:urn:nbn:de:hebis:30:3-722607
URL:https://press.ici-berlin.org/doi/10.37050/ci-25/buongiorno_reduction-in-computer-music.pdf
DOI:https://doi.org/10.37050/ci-25_09
ISBN:978-3-96558-041-1
ISBN:978-3-96558-040-4
ISSN:2627-731X
Parent Title (English):The case for reduction / edited by Christoph F.E. Holzhey and Jakob Schillinger ; Cultural Inquiry ; 25
Publisher:ICI Press
Place of publication:Berlin
Document Type:Part of a Book
Language:English
Date of Publication (online):2023/03/01
Year of first Publication:2022
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2023/03/16
Tag:Temporality
Barbieri, Caterina
GND Keyword:Computermusik; Phänomenologie; Temporalität
Page Number:16
First Page:175
Last Page:190
HeBIS-PPN:508317061
Dewey Decimal Classification:7 Künste und Unterhaltung / 78 Musik / 780 Musik
8 Literatur / 80 Literatur, Rhetorik, Literaturwissenschaft / 800 Literatur und Rhetorik
Sammlungen:CompaRe | Allgemeine und Vergleichende Literaturwissenschaft
CompaRe | Allgemeine und Vergleichende Literaturwissenschaft / ICI Berlin
Licence (German):License LogoCreative Commons - Namensnennung-Weitergabe unter gleichen Bedingungen 4.0