Table of Contents

• Preface
  
  

• Smooth/Striated, Place/Non-Place: Spaces for Metaverse Avatars 1-8
  Elif Ayiter
• Complexities of Form: Thoughts on a De-ontologized Aesthetics of Recursive Processes 9-15
  Dimitris Ginosatis
• Dynamic Generation and Exploration of Symmetrical Textures from Real-time Camera Input on Mobile Devices 16-22
  Nikitas M. Sgouros
• Blockchain and Paratactic Media Works 23-28
  Ebru Yetiskin
• Seeing 29-33
  Nina Lyons, Matt Smith
• Cyborg Art and the Rise of a Specific Vocabulary: Which are the Challenges for Curators in the Expression of a New Post-Human Identity? 34-40
  Anastasia Terzidou, Rafaela Karagianni
• UNIVERSAL MONSTERS - The Early Posthuman Cultural Icons 41-48
  Penny Papageorgopoulou, Dimitris Charitos
• Mediated Self and Subjectification. Selfies as a Negation of Alterity - Cindy Sherman, Inti Romero and Massive Auto-Photography 49-55
  Maria Argyrokastriti
• Referentiality: Video Book Case Study 56-61
  Adnan Hadziselimovic
• The Role of Recommender Systems in Cultural Heritage 62-69
  George Pavlidis
• Sound Art and Technology: Exploring the Affective Intensities of Embodied Audibility 70-77
  Andromachi Vrakatseli, Nikos Bubaris
• The Soundscape of a Terrorist Attack as Materiology for Live Performance and its Performative, Social and Ethical Implications 78-84
  Theodoros Lotis
• Immortality and Resurrection of the Digital Self 85-88
  Konstantinos Chorianopoulos
• The New Media Artist as the Creator of Potential Space and Time Heterogeneities 89-99
  Mirsini Vounatsou, Stelios Dexis
• Literally Un-Lock And Speed-Up Your Containerised Development on Embedded Devices by Example of a Standalone Gadget With Orientation Sensors Sending Open Sound Control 100-107
  Martin Carlé
• Examining the Use of Augmented Reality and Computer Vision Technologies in Digital Artworks, the Case of:“PoNR/ANOMIE” 108-115
  Panagiotis Triantafyllidis, Fotios Stergiou
• AstroSonic: an Educational Audio Gamification Approach 116-123
  Emmanouel Rovithis, Andreas Floros
• DIY Filmmaking in Greece in the Digital Era 124-130
  Yorgos Drosos
• Augmented Reality and Visual Arts 131-140
  Maria Papadopoulou, Ioannis Deliyannis
• Virtual Instruments in Music Teaching and Learning at Kindergarten-Age: an Educational Proposal Using Synth4kids Web-Application 141-145
  Yannis Mygdanis
• ARTISTS: A virtual Reality culTural experIence perSonalized arTworks System: The “Children Concert” Painting Case Study 146-152
  George Trichopoulos, John Aliprantis, Markos Konstantakis, George Caridakis
• ORCHESTRA: An Integrated ICT Platform for Creating Rich Interactive Cultural Experiences 153-156
  Vassileios Tsetsos, Vera Kriezi, Odysseas Sekkas, Periklis Ntanassis
• Digital Artificial Composers: Issues of Aesthetic Value, Cultural Meanings, Creativity, and Ontology 157-165
  May Kokkidou, Zoe Dionyssiou
• Art Didactics and Creative Technologies: Digital Culture and New Forms of Students’ Activation 166-172
  Agnes Papadopoulou, Polyxeni Kaimara, Sofia-Maria Poulimenou, Ioannis Deliyannis
• Transmedia Storytelling and Creative Writing: Can Media Convergence Change the Way we Creatively Write? 173-180
  Vassiliki Nanou, Polyxeni Kaimara, Agnes Papadopoulou
• Development of a Scale for Measuring the Learning Experience in Serious Games. Preliminary Results 181-186
  Emmanuel Fokides, Polyxeni Kaimara, Ioannis Deliyannis, Pinelopi Atsikpasi
• Technology-Mediated Participatory and Performative Artistic Expressions as Social Educational Tools 187-193
  Spiros Papadopoulos, Maria Loukou, Avrokomi Zavitsanou
• Dramatization and Digital Technology in Ιntergenerational Learning 194-201
  Gerasimos Polymeris, Andreas Giannakoulopoulos, Konstantinos Tiligadis
• Co-authoring and User Interaction in Digital Storytelling. A Case Study 202-208
  Caterina Antonopoulou
• The Artist as Facilitator - Selected Aspects of Media Aesthetic Education 209-212
  Aleksandar Vejnovic
• Locating Poetic Objects: Experiencing Poetry Into Site Through Walking, Sound and Interaction 213-219
  Bill Psarras